| Jen | I want to get a NEA grant to make an installation 
                  exhibit entitled "MANTRAPS: An Exploration of Tripwires, Trap 
                  Doors, and Electrified Surfaces". | 
              
                | Szor | I would invest heavily in your art. I would subsidize 
                  you. | 
                | Jen | Oh really. :) | 
              
                | Szor | Really! | 
                | Jen | "Your exhibit map delineates the location of 
                  approximately half of the traps created by Jen Gagne. Please 
                  proceed carefully through the exhibition. Our guests of advanced 
                  stature should pay special attention in the 'Razor of Damocles' 
                  room..." | 
              
                | Szor | Aaah, here we have entered my personal favourite 
                  of rooms. Please sit at this writing desk, yes. A journalist, 
                  you said you were? Are you enjoying the "Occam's Razor" exhibit? 
                  Ooh. That might leave a mark. Right then. | 
                | Jen | Tee hee hee! | 
              
                | Szor | Aaah, what a team we'd make! I love being a tourguide. | 
                | Jen | Quote from my brother: "It's not just art, it's 
                  an adventure. Will you have flaming swinging ropes to cross 
                  the pungi pit?" | 
              
                | Szor | My good man, I am shocked, nay, wounded, that 
                  such a suggestion would be made. There will be no flaming ropes 
                  to cross pungi pits with. There will, however, be innocuously 
                  placed camouflaged, flaming spiked pungi pits. | 
              
                | Jen | Yeah honestly, why give them a way across? | 
              
                | Szor | The idea isn't to be merciful at all. It's supposed 
                  to be a demonstration of the glorious and well-established art 
                  of Jen Gagne. My suggestion, as your primary backer, is to give 
                  patrons enough of a map to get them into the thick of it. If 
                  they wish to buy a map for the other half, to escape safely, 
                  surely they could afford to donate a mere pittance of a few 
                  hundred dollars to the gallery. | 
                | Jen | Perhaps they can rent the artist as a guide? | 
              
                | Szor | Well, that would be the premium service, of course. 
                  Maps of various qualities could be had for perfectly reasonable 
                  rates. Tourguides and 'interviews' with the artist would be 
                  costlier, but one would have the benefit of deriving maximum 
                  pleasure from the exhibits. | 
                | Jen | Maximum pleasure, and maximum survival rates. 
                  The maps would become collector's items of course. | 
              
                | Szor | Naturally! In order to keep the gallery interesting, 
                  it would be changed around at fairly random intervals... | 
            
            And so on, and so on. Heh. It kind of reminded me of the abbatoir 
              sketch from Monty Python.